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Dot

Dot and Mavis, both about to turn eighteen, have plans to escape their sleepy Welsh village and go to university somewhere exciting. But they’re both holding on to secrets that might make it impossible.

Dot lives with her mother and grandmother in a rambling house in which they all skirt around the fact that Dot’s father left to buy some balloons for her second birthday party and never returned. She doesn’t remember anything about him, not even his name, and she doesn’t dare ask her fragile mother. But maybe she can find out who he is by herself, maybe he’s been closer to her than she ever realised.

Mavis meanwhile can’t tell Dot what happened after the sixth form disco with Clive Buzzard, the boy they’ve loved all through school, but who is surgically attached at the lips to Debbie Paulson. Except her period is late and Clive won’t talk to her and, perhaps if she ignores it, it will all go away.

And of course there are the stories that both Dot and Mavis’ mothers could tell, if only they spoke to their daughters or each other. There are the observations that, Clarice, Dot’s grandmother has made over the years, and there are their fathers, who might have made terrible mistakes, but also might not be the worst people in the world.

Told in multiple voices, there are no heroes or villains in this tale, just flawed, struggling humans who have to face the past to walk in to their future.

Extract

When you looked at it like that, Mavis thought you had to feel sorry for Dot, as her family were no better; sometimes they even seemed weirder than her own. At least on the face of it hers were semi-normal, she at least had the requisite number of parents and a mother with a fairly run-of-the-mill mental illness. Dot was stuck in that creepy house with a grandmother who thought she was a cross between the Queen and God and a mother who lived as if she ingested industrial doses of Valium on a daily basis. Because what mother would never mention their daughter’s father, never even speak his name, pretend like she was an immaculate conception? ‘What don’t you just ask her?’ Mavis would say to Dot when she was still too young to understand the impossibility of the situation. Of course she’d understood for years now: she’d worked out long ago that families, unless they inhabit American TV shows, do not communicate when they speak.